When the Cranes Cry

The crane has a symbolic resonance in Celtic mythology. A magician, assuming an elaborate pose—one eye open and one leg drawn up—was said to see into the otherworld, just as the crane itself moved from sky to land to water. But there is the other meaning of the word crane: the ancient lifting contraption that helped build Greece and likely had a role in Egypt and Sumeria before that. And now they protrude into the urban sky, raising up our buildings and even other cranes as we densify our cities. It was this mechanical meaning that Dan Dennett at Tufts chose to contrast with conceptual skyhooks, the unsupported contrivances that save protagonists in plays by dangling gods above the stage. For Dennett, the building crane is the metaphor we should apply to the mindless, simple algorithm of evolution. The algorithm raises up species and thus creates our mysterious ideas about meaning and purpose. No skyhooks or Deus ex Machina are needed.

Dennett passed away at 82 in Maine leaving a legacy as a public intellectual who engaged in the pursuit of reason throughout his adult career. He was committed to the idea that this world—this teeming ensemble of living matter—is intrinsically miraculous, built up by something dead simple into all the convolutions and perilous ideas that we now use to parse its mysteries. He was one of the Four Horsemen of the Apocalypse during the so-called New Atheism craze of 2008-2010, along with Richard Dawkins, Christopher Hitchens, and Sam Harris, but even then he was committed to the crane metaphor to displace these ancient skyhooks of belief rather than, say, a satirical impact-analysis of religion a la Hitchens.

There is another phrase that Dennett championed in Darwin’s Dangerous Idea: Evolution and the Meanings of Life: universal acid.… Read the rest

Begging the Pseudo-Question

 

I recently got involved in an “audiophile” online discussion thread replete with devious trolling, commenter bans, incivility—the works. I do this from time to time because raucous argumentation forces one to think in tactical and strategic ways that are not the norm in everyday life. I also learn new things. In this case, I went on several quests, hunting down papers on the ability of Chinese language speakers to disambiguate tones in Gaussian noise, how distortion artifacts impact our perception of spatialization in binaural audio presentations, and even Rayleigh wave detection by sand scorpions (I actually worked on a simulator for that as a late undergrad). One of the key disagreements in the thread was over the notion of “science.” There were several perspectives on this, with the first one being that science requires experimentation and therefore using scientifically-derived tools for investigating the performance of audio equipment does not amount to science. This is obviously a shrugger and a distraction. The other primary perspective is always that science is in constant revision and there may be new insights that prove this-or-that subtle hearing capability since human hearing is just sooooo amazing. We are sooooo amazing.

There’s a bit of a Two Cultures-like tension in this universe of audio equipment aficionados: while engineering and science brings them audio gear, they want it to be poetic and ineffable and the work of mastery based in genius rather than Fast Fourier Transforms. Graphs are boring. Listening is beautiful.

Part of the reason for the disagreement is clearly that we just don’t have shared meanings about concepts like science. We circle around them and try to triangulate using metaphors, analogies, and explore the logical consequences of limits and extensions to their meaning.… Read the rest

Follow the Paths

There is a little corner of philosophical inquiry that asks whether knowledge is justified based on all our other knowledge. This epistemological foundationalism rests on the concept that if we keep finding justifications for things we can literally get to the bottom of it all. So, for instance, if we ask why we think there is a planet called Earth, we can find reasons for that belief that go beyond just “’cause I know!” like “I sense the ground beneath my feet” and “I’ve learned empirically-verified facts about the planet during my education that have been validated by space missions.” Then, in turn, we need to justify the idea that empiricism is a valid way of attaining knowledge with something like, “It’s shown to be reliable over time.” This idea of reliability is certainly changing and variable, however, since scientific insights and theories have varied, depending on the domain in question and timeframe. And why should we in fact value our senses as being reliable (or mostly reliable) given what we know about hallucinations, apophenia, and optical illusions?

There is also a curious argument in philosophy that parallels this skepticism about the reliability of our perceptions, reason, and the “warrants” for our beliefs called the Evolutionary Argument Against Naturalism (EAAN). I’ve previously discussed some aspects of EAAN, but it is, amazingly, still discussed in academic circles. In a nutshell it asserts that our reliable reasoning can’t be evolved because evolution does not reliably deliver good, truthful ways of thinking about the world.

While it may seem obvious that the evolutionary algorithm does not deliver or guarantee completely reliable facilities for discerning true things from false things, the notion of epistemological pragmatism is a direct parallel to evolutionary search (as Fitelson and Sober hint).… Read the rest

Sentience is Physical, Part 3: Now with Flaming Birds

Moving to Portland brings all the positives and negatives of urban living. A notable positive is access to the arts and I’m looking forward to catching Stravinsky’s The Firebird this weekend with the Oregon Symphony. Part of the program is a new work by composer Vijay Iyer who has a history of incorporating concepts derived from African rhythms, hip hop, and jazz into his compositional efforts. I took the opportunity this morning to read his 1998 dissertation from Berkeley that capped off his interdisciplinary program in the cognitive science of music. I’ll just say up front that I’m not sure it rises to the level of a dissertation since it does not really provide any significant new results. He notes the development of a microtiming programming environment coded in MAX but doesn’t give significant results or novel experimental testing of the system or of human perceptions of microtiming. What the dissertation does do, however, is give a lucid overview and some new insights about how cognition and music interact, as well as point towards ways to test the theories that Iyer develops during the course of his work. A too-long master’s thesis might be a better category for it, but I’ve never been exposed to musicology dissertations so perhaps this level of work is normal.

Iyer’s core thesis is that musical cognition and expression arise from a physical engagement with our environments combined with cultural situatedness. That is, rhythm is tied to a basic “tactus” or spontaneously perceived regular pulse or beat of music that is physically associated with walking, heartbeats, tapping, chewing, and so forth. Similarly, the culture of musical production as well as the history that informs a given piece all combine to influence how music is produced and experienced.… Read the rest

Entanglements: Collected Short Works

Now available in Kindle, softcover, and hardcover versions, Entanglements assembles a decade of short works by author, scientist, entrepreneur, and inventor Mark William Davis.

The fiction includes an intimate experimental triptych on the evolution of sexual identities. A genre-defying poetic meditation on creativity and environmental holocaust competes with conventional science fiction about quantum consciousness and virtual worlds. A postmodern interrogation of the intersection of storytelling and film rounds out the collected works as a counterpoint to an introductory dive into the ethics of altruism.

The nonfiction is divided into topics ranging from literary theory to philosophical concerns of religion, science, and artificial intelligence. Legal theories are magnified to examine the meaning of liberty and autonomy. A qualitative mathematics of free will is developed over the course of two essays and contextualized as part of the algorithm of evolution. What meaning really amounts to is always a central concern, whether discussing politics, culture, or ideas.

The works show the author’s own evolution in his thinking of our entanglement with reality as driven by underlying metaphors that transect science, reason, and society. For Davis, metaphors and the constellations of words that help frame them are the raw materials of thought, and their evolution and refinement is the central narrative of our growth as individuals in a webwork of societies and systems.

Entanglements is for readers who are in love with ideas and the networks of language that support and enervate them. It is a metalinguistic swim along a polychromatic reef of thought where fiction and nonfictional analysis coexist like coral and fish in a greater ecosystem.

Mark William Davis is the author of three dozen scientific papers and patents in cognitive science, search, machine translation, and even the structure of art.… Read the rest

Sentience is Physical

Sentience is all the rage these days. With large language models (LLMs) based on deep learning neural networks, question-answering behavior of these systems takes on curious approximations to talking with a smart person. Recently a member of Google’s AI team was fired after declaring one of their systems sentient. His offense? Violating public disclosure rules. I and many others who have a firm understanding of how these systems work—by predicting next words from previous productions crossed with the question token stream—are quick to dismiss the claims of sentience. But what does sentience really amount to and how can we determine if a machine becomes sentient?

Note that there are those who differentiate sentience (able to have feelings), from sapience (able to have thoughts), and consciousness (some private, subjective phenomenal sense of self). I am willing to blend them together a bit since the topic here isn’t narrowly trying to address the ethics of animal treatment, for example, where the distinction can be useful.

First we have the “imitation game” Turing test-style approach to the question of how we might ever determine if a machine becomes sentient. If a remote machine can fool a human into believing it is a person, it must be as intelligent as a person and therefore sentient like we presume of people. But this is a limited goal line. If the interaction is only over a limited domain like solving your cable internet installation problems, we don’t think of that as a sentient machine. Even against a larger domain of open-ended question and answering, if the human doesn’t hit upon a revealing kind of error that a machine might make that a human would not, we remain unconvinced that the target is sentient.… Read the rest

Intellectual Capital, Religion, Audiofools, and Irrational Poynting Vectors

Twin New York-associated articles of note today. First, we have the New York Times with Ilana Horwitz of Tulane University on the topic of how religion helps working-class young people—especially boys—to better achieve after high school. This is part of the ongoing saga of better understanding the sagging social support network (“social capital”) that has been suggested to explain high rates of despair, opioid addiction, alcohol abuse, suicide, and even white supremacist ideation and Trumpism among working-class Americans. What is particularly interesting to me is that the same religious enhancement of educational attainment doesn’t apply to the children of college-educated professionals and the author notes that strong religious belief systems—especially among young women—may interfere with future decision-making by directing them towards traditional female careers and roles.

Meanwhile, Cornel West has a wide-ranging interview in The New Yorker where he repeatedly decries Harvard for becoming a spiritual wasteland of sorts, dedicated to the education of a professional-managerial class that lacks some elemental soul needed to translate ideas into public intellectual and social engagement:

That’s not just brother Trump, even though he’s a neo-Fascist one. He’s on the continuum with so much of the professional-managerial class in terms of their lack of accountability to working people and poor people. Once you have that kind of spiritual decay and moral decrepitude, man, then it’s just gangsterization on steroids, man. That’s where America’s headed.

So it seems many of the religious working-class college achievers are just working towards some kind of soulless professionalism. Without converting their intellectual achievements into activism, and by just focusing on jobs and further achievement, they are content to let the backslide towards authoritarianism continue apace. West sees a neoliberal hypocrisy at every turn, as well, and almost as toxic as the fascist urge.… Read the rest

The Retiring Mind, Part V: Listening and Ground Truth

Human hearing is limited in the range of frequencies that we can discern. Generally, at the high end, that limit is around 20kHz, which is a very high pitch indeed. But, as we age, our high frequency perception reduces as well, until we may very well have difficulty hearing 8kHz or understanding human utterances in old age. You can test your own approximate limits with a simple YouTube video that raises pitches quickly up through the spectrum. I’m capping out at just north of 13.5kHz using a cheap speaker attached to my monitor, and with normal but quiet ambient background noise.

The original design of the Compact Disc by Phillips and Sony used the 20kHz limit as guidance for the encoding of the digital information on the disks. Specifically, the input analog waveform was sampled at a resolution of 16 bits 44.1kHz, which gives a maximum volume range of 2^16 (96dB) and supports the Nyquist sampling theorem that requires double the maximum frequency of the input stream in order to reconstruct that stream.

And CDs were very good, exceeding the capabilities of vinyl or cassettes, and approaching the best magnetic tape capabilities of the time. They also had some interesting side-effects in terms of mastering by freeing bass frequencies that had to be shifted towards the central channel on vinyl in order to avoid shortening recordings unduly because of the larger groove sizes needed to render low frequencies.

But now, with streaming, we can increase our resolution still further. Qobuz and Tidal offer Hi-Res audio formats that can range up to 24 bit resolution at 192kHz sample rates. Tidal also promotes MQA (Master Quality Authenticated) format that may use lossy compression but preserves aspects of the original master recording.… Read the rest