Vaguely Effective Altruism

In “Killing John Galt” in my new collection, Entanglements, the first-person narrator muses that:

Reaching the moon was easy but conquering poverty was impossible. Watching Sonya’s animated hopefulness—perfection!—almost made me want to call Winborn and recommend that he just pay more taxes with the same money. Let the organizations and bureaucrats build institutions that could chisel away at the edifice, slowly and steadily; look at giant statistical outcomes to guide changes in policy over time. It would convert the problem from individual heroism into a technocratic game. I could play that game, running regression models and factor analytic comparisons to tease out what was and what was not working effectively. Social change then became policy management.

With the plunge of Effective Altruism (EA) from its hubristic trajectory across the sun of cryptocurrency, how and why to do good by wealthy people has become a renewed topic for discussion. At the New York Times, for instance, we have the regularly vague Ross Douthat complaining that if every oil magnate wants their money applied to just saving kids from malaria we would have fewer quaint state parks. Perhaps more interesting at the same publication is Ezra Klein’s discussion of the goals and limits of EA as well as the philosophical underpinnings of the movement. There is plenty of room for a spectrum of responses to the basic problem of how to give away money, but the key concept of “effectiveness” is what forces EA and EA-adjacent proponents to analyze their approaches and goals towards making the world a better place. Historically, much large-scale giving was intended to create a legacy for the industrialist families (Carnegie-Mellon University, Rockefeller Foundation, … ahem, Sackler Institute and related organizations).… Read the rest

Entanglements: Collected Short Works

Now available in Kindle, softcover, and hardcover versions, Entanglements assembles a decade of short works by author, scientist, entrepreneur, and inventor Mark William Davis.

The fiction includes an intimate experimental triptych on the evolution of sexual identities. A genre-defying poetic meditation on creativity and environmental holocaust competes with conventional science fiction about quantum consciousness and virtual worlds. A postmodern interrogation of the intersection of storytelling and film rounds out the collected works as a counterpoint to an introductory dive into the ethics of altruism.

The nonfiction is divided into topics ranging from literary theory to philosophical concerns of religion, science, and artificial intelligence. Legal theories are magnified to examine the meaning of liberty and autonomy. A qualitative mathematics of free will is developed over the course of two essays and contextualized as part of the algorithm of evolution. What meaning really amounts to is always a central concern, whether discussing politics, culture, or ideas.

The works show the author’s own evolution in his thinking of our entanglement with reality as driven by underlying metaphors that transect science, reason, and society. For Davis, metaphors and the constellations of words that help frame them are the raw materials of thought, and their evolution and refinement is the central narrative of our growth as individuals in a webwork of societies and systems.

Entanglements is for readers who are in love with ideas and the networks of language that support and enervate them. It is a metalinguistic swim along a polychromatic reef of thought where fiction and nonfictional analysis coexist like coral and fish in a greater ecosystem.

Mark William Davis is the author of three dozen scientific papers and patents in cognitive science, search, machine translation, and even the structure of art.… Read the rest

Martini Shot

“Martini Shot” is my 2022 submission to the Desert Exposure writing contest. My exceptional colleagues at Las Cruces Writers took Grand Prize (Efrem Carrasco) and Honorable Mention: Poetry (Fenton Kay). Now a citizen of PDX, I will not submit in 2023 and will let the writers of LCW proceed uncontested! “Martini Shot” dabbles in regional New Mexico themes of alien encounters and filmmaking through a mildly experimental lens. It will appear in my upcoming book of short works, Entanglements, scheduled for release in time for holiday gifting to those you wish to imperil with challenging ideas. Of mild amusement: the short story originally came in at 3,998 words after early editing. I stretched it to exactly the story contest limit of 4,000 words as a demonstration of vigor.

 

Martini Shot

Dogs lollop away from their owners in the summer mornings, circuitously sniffing their way into the water, emerging again in a fierce cloud of sandy mud, vapor, and the aura of dank fur. They tromp down the tangled reeds into mats. The mats are in chaos, hinting at a raft for alighting birds or an ineffective palisade along the river’s bank. Between the tamarisk—invaders with deep tap roots that salt the ground against native plants—an egret tiptoes over a mat, raises her wings briefly as if to begin flight, then redirects her face into the water. Her head reappears, moments later, and a minnow flexes as the bloom of dawn halos the eastern range.

Protected, channeled, dammed, metered, and strangled, the Rio Grande is a sandy run for ATVs in the winter, but even then it remains the hopeful vein that organizes the land and ancient economy of this southern valley stretching along the Organ Mountains.… Read the rest