Category: Architecture

Entanglements: Collected Short Works

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Now available in Kindle, softcover, and hardcover versions, Entanglements assembles a decade of short works by author, scientist, entrepreneur, and inventor Mark William Davis.

The fiction includes an intimate experimental triptych on the evolution of sexual identities. A genre-defying poetic meditation on creativity and environmental holocaust competes with conventional science fiction about quantum consciousness and virtual worlds. A postmodern interrogation of the intersection of storytelling and film rounds out the collected works as a counterpoint to an introductory dive into the ethics of altruism.

The nonfiction is divided into topics ranging from literary theory to philosophical concerns of religion, science, and artificial intelligence. Legal theories are magnified to examine the meaning of liberty and autonomy. A qualitative mathematics of free will is developed over the course of two essays and contextualized as part of the algorithm of evolution. What meaning really amounts to is always a central concern, whether discussing politics, culture, or ideas.

The works show the author’s own evolution in his thinking of our entanglement with reality as driven by underlying metaphors that transect science, reason, and society. For Davis, metaphors and the constellations of words that help frame them are the raw materials of thought, and their evolution and refinement is the central narrative of our growth as individuals in a webwork of societies and systems.

Entanglements is for readers who are in love with ideas and the networks of language that support and enervate them. It is a metalinguistic swim along a polychromatic reef of thought where fiction and nonfictional analysis coexist like coral and fish in a greater ecosystem.

Mark William Davis is the author of three dozen scientific papers and patents in cognitive science, search, machine translation, and even the structure of art.… Read the rest

Fantastical Places and the Ethics of Architecture

Mark Davis1 Comment

Lemuria was a hypothetical answer to the problem of lemurs in Madagascar and India. It was a connective tissue for the naturalism observed during the formative years of naturalism itself. Only a few years had passed since Darwin’s Origin of the Species came out and the patterns of observations that drove Darwin’s daring hypothesis were resonating throughout the European intellectual landscape. Years later, the Pangaea supercontinent would replace the temporary placeholder of Lemuria and the concept would be relegated to mythologized abstractions alongside Atlantis and, well, Hyperborea.

I’m in Lemuria right now, but it is a different fantastical place. In this case, I’m in the Lemuria Earthship Biotecture near Taos, New Mexico. I rented it out on a whim. I needed to travel to Colorado to drop off some birthday cards for our son and thought I might come by and observe this ongoing architectural experiment that I’ve been tracking for decades but never visited. I was surprised to find that I could rent a unit.

First, though, you have to get here, which involves crossing the Rio Grande Gorge:

Once I arrived, I encountered throngs of tourists, including an extended Finnish family that I had to eavesdrop on to guess the language they were speaking. The Earthship project has a long history, but it is always a history of trying to create sustainable, off-the-grid structures that maximize the use of disposable aspects of our society. So the walls are tires filled with dirt or cut wine bottles embedded in cement. Photovoltaics charge batteries and gray water (shower and washing water) is reused to flush toilets and grow food plants. Black water (toilet water) flows into leachfields that support landscape plants.… Read the rest

Death Comes for the Visionary

Mark Davis2 Comments

soleri_babelI sadly missed the announcement that Paolo Soleri died in April of this year. I’m happy that my family and I got to tour Arcosanti during his lifetime, of course, and I pledge to make no further negative comments about his writings during my lifetime, though I reserve the right to passing ambivalent mentions.

Long live Paolo Soleri!… Read the rest

Novelty in the Age of Criticism

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Gary Cutting from Notre Dame and the New York Times knows how to incite an intellectual riot, as demonstrated by his most recent The Stone piece, Mozart vs. the Beatles. “High art” is superior to “low art” because of its “stunning intellectual and emotional complexity.” He sums up:

My argument is that this distinctively aesthetic value is of great importance in our lives and that works of high art achieve it much more fully than do works of popular art.

But what makes up these notions of complexity and distinctive aesthetic value? One might try to enumerate those values or create a list. Or, alternatively, one might instead claim that time serves as a sieve for the values that Cutting is claiming make one work of art superior to another, thus leaving open the possibility for the enumerated list approach to be incomplete but still a useful retrospective system of valuation.

I previously argued in a 1994 paper (published in 1997), Complexity Formalisms, Order and Disorder in the Structure of Art, that simplicity and random chaos exist in a careful balance in art that reflects our underlying grammatical systems that are used to predict the environment. And Jürgen Schmidhuber took the approach further by applying algorithmic information theory to novelty seeking behavior that leads, in turn, to aesthetically pleasing models. The reflection of this behavioral optimization in our sideline preoccupations emerges as art, with the ultimate causation machine of evolution driving the proximate consequences for men and women.

But let’s get back to the flaw I see in Cutting’s argument that, in turn, fits better with Schmidhuber’s approach: much of what is important in art is cultural novelty. Picasso is not aesthetically superior to the detailed hyper-reality of Dutch Masters, for instance, but is notable for his cultural deconstruction of the role of art as photography and reproduction took hold.… Read the rest

Evolutionary Art and Architecture

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With every great scientific advance there has been a coordinated series of changes in the Zeitgeist. Evolutionary theory has impacted everything from sociology through to literature, but there are some very sophisticated efforts in the arts that deserve more attention.

John Frazer’s Evolutionary Architecture is a great example. Now available as downloadable PDFs since it is out-of-print, Evolutionary Architecture asks the question, without fully answering it (how could it?), about how evolution-like processes can contribute to the design of structures:

And then there is William Latham’s evolutionary art that explores form derived from generative functions dating to 1989:

And the art extends to functional virtual creatures:

… Read the rest

Arcosanti and Private Language

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We (meaning my family) visited Paolo Soleri‘s Arcosanti in the high desert north of Phoenix today. Arcosanti is an attempt at an “arcology” meaning a dense urban structure that lives in harmony with the ecosystem around it. The term is a portmanteau of “architecture” and “ecology,” and the original motivator for the site was to prove that dense urban living without cars and yards could be ecologically sensible and could inspire a sense of connectedness and community that has been lost in the suburbanization of America.

The facility is both amazing in its vision and somewhat dated in its approach. The limitations arise from its beginnings in the 70s and the available technology at that time. Only recently have photovoltaic panels been introduced. There is no real exploitation of wind power. Food self-sufficiency is only beginning to be addressed with greenhouses. It’s no biotecture but, arguably, it is a primary intellectual bedrock for new urbanism and green building.

We hiked out to the observation platform, we toured the ceramics facility and foundry, we bought bells and T-shirts, and I picked up a copy of Paolo Soleri: What If? Collected Writings 1986-2000.

It’s a flawed book filled with a unique form of craziness. I remember that Teilhard de Chardin-style abstract craziness from my late teenage years when I read Omega Seed, but early on in this new compendium there is an admission by the compiler that there very well may be a private aspect to the ideas that fuel the Soleri way of art that are inaccessible to rational thinking and imperfect in any linguistic rendering:

For the best artists, thought runs on a track alongside art and does not touch it, does not converge, leaving for the art the nondiscursive, the ineffable part that cannot be treated adequately by thought, by ratiocination.

… Read the rest