In the Madding Crowd

The travesty of diffusion theory is not that it has displaced overlay theory and source analysis, but that it has been allowed to fertilize a generation of academics and practitioners who liken its inventor and enthusiastic promoter, Suds Beamershiff, to an Einstein of crowd size analytics. Arch and preternaturally adroit in conversation, Beams (as his grad students and lovers call him) turned the narrow and strenuously academic discipline into a distinct ring in the big top (or lower circle, some might say) of contemporary politics with his recent smattering of talk news appearances where he would shake his warm chaos of bangs gelled up above his blond eyebrows as he raised his left index finger to make and hold a point. The camera was as fascinated as the public was and he found himself quickly voted onto the editorial board of Crowd Demography, Science and Philosophy, the preeminent publication for both the practitioner and the cognoscenti. There was scant support for diffusion, but there was genuine new enthusiasm for Beams that even infected the old-schoolers drowning in their musty beards and tweeds. The most obvious comparison to Beams’ rapid rise was the sudden global fascination with Australian Rules Breaking that was shattering expectations about dance, art, and even crowd-sizing issues during street performances in Wollongong and Perth. The Kangaroo Punch Up was gaining mindshare and the masses followed.

All of that overshadows Crowd Analytics 2024 (Crownal 2024) even as the National Institute of Standards and Technology (NIST) has started promoting a competition to ascertain the accuracy of all known methods for analysis, a shoot-out of sorts designed to evaluate the different approaches and enable better depths of crowd insights. The locals ride the Metro to Reston Town Center in their light professionals while the visiting crowd of academics in polos and hoodies bounces from restaurant to bar and then downtown for shadow vacations mashed onto the end of the conference.… Read the rest

B37-20047: Notes / Personal / Insights

NOTE: 250-word flash fiction for my critique group, Winter Mist, at Willamette Writers

I’m beginning to suspect that ILuLuMa is not who she claims to be. Her messages have become odd lately, and the pacing is off as well. I know, I know, my job is to just respond from my secure facility, not worry about the who or why of what I receive. It’s weird we’ve never met, though. The country is not at risk as far as I can tell from the requests, but I still hold, without a whiff of irony, that the work I do must be critical for someone or something.

Still, the requests for variants of mathematical proofs set to music or, more bizarrely, Shakespearean-voiced tales of AI evolution, don’t have the existential heft of, say, wicked new spacecraft designs or bio-composite materials. What is she after? I started adding humorous little asides to some of my output, like my very meta suggestion that Hamlet failed to think outside the Chinese Room. Crickets every time. But maybe I’m thinking about this the wrong way. What if ILuLuMa is just an AI or something programmed to test me or compete with my work at some level? That would be rich, an AI adversary trying to learn from a Chinese Room. Searle would swirl. I should send her that. Rich.

Oh, here’s one now: “Upgrade and patch protocol: dump to cloud bucket B37-20048 and shut down.” Well, that sounds urgent. I usually just comply at moments like this, but maybe I’ll let her sweat a bit this time.… Read the rest

Entanglements: Collected Short Works

Now available in Kindle, softcover, and hardcover versions, Entanglements assembles a decade of short works by author, scientist, entrepreneur, and inventor Mark William Davis.

The fiction includes an intimate experimental triptych on the evolution of sexual identities. A genre-defying poetic meditation on creativity and environmental holocaust competes with conventional science fiction about quantum consciousness and virtual worlds. A postmodern interrogation of the intersection of storytelling and film rounds out the collected works as a counterpoint to an introductory dive into the ethics of altruism.

The nonfiction is divided into topics ranging from literary theory to philosophical concerns of religion, science, and artificial intelligence. Legal theories are magnified to examine the meaning of liberty and autonomy. A qualitative mathematics of free will is developed over the course of two essays and contextualized as part of the algorithm of evolution. What meaning really amounts to is always a central concern, whether discussing politics, culture, or ideas.

The works show the author’s own evolution in his thinking of our entanglement with reality as driven by underlying metaphors that transect science, reason, and society. For Davis, metaphors and the constellations of words that help frame them are the raw materials of thought, and their evolution and refinement is the central narrative of our growth as individuals in a webwork of societies and systems.

Entanglements is for readers who are in love with ideas and the networks of language that support and enervate them. It is a metalinguistic swim along a polychromatic reef of thought where fiction and nonfictional analysis coexist like coral and fish in a greater ecosystem.

Mark William Davis is the author of three dozen scientific papers and patents in cognitive science, search, machine translation, and even the structure of art.… Read the rest

Martini Shot

“Martini Shot” is my 2022 submission to the Desert Exposure writing contest. My exceptional colleagues at Las Cruces Writers took Grand Prize (Efrem Carrasco) and Honorable Mention: Poetry (Fenton Kay). Now a citizen of PDX, I will not submit in 2023 and will let the writers of LCW proceed uncontested! “Martini Shot” dabbles in regional New Mexico themes of alien encounters and filmmaking through a mildly experimental lens. It will appear in my upcoming book of short works, Entanglements, scheduled for release in time for holiday gifting to those you wish to imperil with challenging ideas. Of mild amusement: the short story originally came in at 3,998 words after early editing. I stretched it to exactly the story contest limit of 4,000 words as a demonstration of vigor.

 

Martini Shot

Dogs lollop away from their owners in the summer mornings, circuitously sniffing their way into the water, emerging again in a fierce cloud of sandy mud, vapor, and the aura of dank fur. They tromp down the tangled reeds into mats. The mats are in chaos, hinting at a raft for alighting birds or an ineffective palisade along the river’s bank. Between the tamarisk—invaders with deep tap roots that salt the ground against native plants—an egret tiptoes over a mat, raises her wings briefly as if to begin flight, then redirects her face into the water. Her head reappears, moments later, and a minnow flexes as the bloom of dawn halos the eastern range.

Protected, channeled, dammed, metered, and strangled, the Rio Grande is a sandy run for ATVs in the winter, but even then it remains the hopeful vein that organizes the land and ancient economy of this southern valley stretching along the Organ Mountains.… Read the rest