Tag: gary cutting

Novelty in the Age of Criticism

Mark DavisLeave a comment

Gary Cutting from Notre Dame and the New York Times knows how to incite an intellectual riot, as demonstrated by his most recent The Stone piece, Mozart vs. the Beatles. “High art” is superior to “low art” because of its “stunning intellectual and emotional complexity.” He sums up:

My argument is that this distinctively aesthetic value is of great importance in our lives and that works of high art achieve it much more fully than do works of popular art.

But what makes up these notions of complexity and distinctive aesthetic value? One might try to enumerate those values or create a list. Or, alternatively, one might instead claim that time serves as a sieve for the values that Cutting is claiming make one work of art superior to another, thus leaving open the possibility for the enumerated list approach to be incomplete but still a useful retrospective system of valuation.

I previously argued in a 1994 paper (published in 1997), Complexity Formalisms, Order and Disorder in the Structure of Art, that simplicity and random chaos exist in a careful balance in art that reflects our underlying grammatical systems that are used to predict the environment. And Jürgen Schmidhuber took the approach further by applying algorithmic information theory to novelty seeking behavior that leads, in turn, to aesthetically pleasing models. The reflection of this behavioral optimization in our sideline preoccupations emerges as art, with the ultimate causation machine of evolution driving the proximate consequences for men and women.

But let’s get back to the flaw I see in Cutting’s argument that, in turn, fits better with Schmidhuber’s approach: much of what is important in art is cultural novelty. Picasso is not aesthetically superior to the detailed hyper-reality of Dutch Masters, for instance, but is notable for his cultural deconstruction of the role of art as photography and reproduction took hold.… Read the rest

The Orchard of Belief

Mark DavisLeave a comment

CherriesOne of the most important impacts of the “new atheists” was to break religious discussion out of its silos. Before their recent rise, it was easy for the sophisticated secularist to laugh at the Pat Robertsons because they seemed absurd caricatures of Christianity in America. It was equally irrelevant to the Catholic theologian what analytical philosophy was up to in worrying over the meaning of meaning. And Muslims largely kept to their mosques. But with the critiques of the new atheism came a new willingness to hold remarkable, frank, and intelligent discussions about religion and modern life.

Take Andrew Sullivan’s article in Newsweek that attacks a range of Christian movements within the US through the critical lens of the Jefferson Bible. Sullivan promotes the sermon-on-the-mount Jesus as a radical guru focused exclusively on love. The surrounding texts and their subsequent grafting onto church doctrines are the source of strife both within Christianity and in its interactions with other peoples down through history.

And so as Andrew Sullivan cherry picks on Jefferson’s intellectual plantation, Gary Cutting of Notre Dame points out that there is not much fruit on the vine in the New York Times:

Read alone, the Sermon on the Mount will either confuse us or merely reinforce the moral prejudices we bring to it.

The moral messaging is just too diffuse for Cutting to be able to render into a ethical road map: Should we try to maximize happiness or focus on individual rights? Is the state the proper vehicle for charity? Is democracy better than totalitarianism? These are all contemporary notions that are beside the point in the orchard of Sullivan’s love.

We can contrast this sparring with Ross Douthat at Slate in his ongoing debate cycle centered on his new book, Bad Religion, that picks at the same line of criticism as Sullivan with regard to some of the current strains of evangelism in America.… Read the rest