Narcissism, Nonsense and Pseudo-Science

I recently began posting pictures of our home base in Sedona to Instagram (check it out in column to right). It’s been a strange trip. If you are not familiar with how Instagram works, it’s fairly simple: you post pictures and other Instagram members can “follow” you and you can follow them, meaning that you see their pictures and can tap a little heart icon to show you like their pictures. My goal, if I have one, is just that I like the Northern Arizona mountains and deserts and like thinking about the composition of photographs. I’m also interested in the gear and techniques involved in taking and processing pictures. I did, however, market my own books on the platform—briefly, and with apologies.

But Instagram, like Facebook, is a world unto itself.

Shortly after starting on the platform, I received follows from blond Russian beauties who appear to be marketing online sex services. I have received odd follows from variations on the same name who have no content on their pages and who disappear after a day or two if I don’t follow them back. Though I don’t have any definitive evidence, I suspect these might be bots. I have received follows from people who seemed to be marketing themselves as, well, people—including one who bait-and-switched with good landscape photography. They are typically attractive young people, often showing off their six-pack abs, and trying to build a following with the goal of making money off of Instagram. Maybe they plan to show off products or reference them, thus becoming “influencers” in the lingo of social media. Maybe they are trying to fund their travel experiences by reaping revenue from advertisers that co-exist with their popularity in their image feed.… Read the rest

Happy 2019!

And to start off the New Year, I’m experimenting with Instagram. Here are a few Sedona images:

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Meanwhile, here are my current projects for 2019:

Quintessence of Rust (QOR): Post-apocalyptic and post-cyberpunk novel series set in a future world devastated by climate change. Begun in 2018, I expect to complete the first book by summer 2019. Here’s a sample:

The jungle is so overwhelmingly alive some days that the air is a vibrating green shroud. The vines strangle up through the canopy trees towards a wan shimmer. The heat becomes toxic where the gray skies break through and the violet and rust of the fungal mounds heap like domes. A low drone warns of bloodsucking swarms of gigantic flies, startling the naked rodents out along paths and down through root mazes into protective huddles in the cooling mud, while the women stoke smudge fires and call the painted children close. And then the sound passes, and the clucks and snorts begin again, at first with hesitancy against the silence of the moist envelop, then more, and then with greater intensity, until the music of the day is restored. The hunters return by lunch to await the afternoon rains that slide and drop in pachinko-ball rivulets through the thousand feet of piled and layered life.

Fifty feet up, where the tree splits its ancient trunk into three equal parts, atop the accumulated detritus of hundreds of years that became yet another pad of spongy jungle, the high apartments begin. Layer upon layer of wooden hovels, connected by ropes woven from vine fibers, wedged by pins and slotted bamboo, build like a rectilinear wasp nest, splitting off and then recoupling higher still, for two hundred feet more.

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