Creativity and Proximate Causation

Combining aspects of the previous posts, what proximate mechanisms might be relevant to the notion of artistic fitness? Scott Barry Kauffman at www.creativitypost.com rounds up some of the most interesting recent research and thinking on this topic in his post, Must One Risk Madness to Achieve Genius?

Touching on work by luminaries like Susan Blackmore and others, Scott drives from personality assessment concepts down through the role of dopamine in trying to identify whether there is a spectrum of observable traits that are linked to creativity and artistic achievement.

Notable:

Daniel Nettle and Helen Clegg found that apophenia was positively related to a higher number of sexual partners for both men and women, and this relationship was explained by artistic creative activity. Similarly, in a more recent study conducted by Helen Cleff, Daniel Nettle, and Dorothy Miell, they found that more successful male artists (who are presumably higher in apophenia) had more sexual partners than less successful male artists.

Apophenia means seeing patterns in the environment where none may be present, a central theme in my second novel, Signals and Noise.

We can hypothesize also, based on the distribution from schizophrenia through schizotypy, through to “normal,” that there must be a large complement of interacting genes involved in these traits. This is supported by the evidence of genetic predispositions for schizophrenia, for instance, but also by the frustrating lack of success in identifying the genes that are involved.  This distribution may, in fact, be one of the most critical aspects of what it means to be human:

Were it not for those “disordered” genes, you wouldn’t have extremely creative, successful people.  Being in the absolute middle of every trait spectrum, not too extreme in any one direction, makes you balanced, but rather boring. 

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Multilevel Selection and Proximate Causation

A strong critique of On the Role of Males by Dawkins was, put simply, that it continues the wrongheaded pursuit of the notion of “multilevel selection” that confuses the vehicles and replicators in the selection process. In this case, selfish genetics precludes the application of a lossy filter for genetic defects because it becomes a species-level selective mechanism.

While largely a technical distinction in evolutionary theory, much remains to be explained if we presume that there are no selective pressures that operate at levels above the genetic. For instance, when human females are subject to environmental stressors, the sex ratio changes to favor boys.  From Valerie Grant’s Wartime sex ratios: Stress, male vulnerability and the interpretation of atypical sex ratio data:

At the end of war, and other times of both chronic and acute stress, remarkable changes occur in the human secondary (birth) sex ratio. At the end of a long war, significantly more boys are born; after a short war, or disaster, fewer boys than usual are born six to nine months later. Since it is commonly held that the sex of the offspring is a matter of chance, these data provide an intriguing problem; but new findings in reproductive physiology, and an increased understanding of male vulnerability, could help resolve it. It appears the sex ratio of offspring may be influenced by variations in the mother’s follicular testosterone. Under conditions of chronic stress, maternal testosterone rises, resulting in an increase in male conceptions; but these same stressful conditions also exacerbate differential male vulnerability, so more males are lost during pregnancy. At the end of war, improving conditions temper male vulnerability, leaving higher sex ratios at birth.

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Artistic Fitness

Following on Wirt’s 1991 treatise, On the Role of Males, that suggests that sexual caste is a meta-trait that operates at a level above simple, beanbag “selfish genetics” by supporting eliminating genetic defects through Y chromosomes (unmasked heterozygous alleles) combined with combative behavior, we can easily ask what other traits elevate female choices for mammals because, by being selective, female choice accelerates evolution even more. And, for humankind, we can ask the most interesting question: what drives women to desire men?

From Geoffrey Miller’s Aesthetic fitness: How sexual selection shaped artistic virtuosity as a fitness indicator and aesthetic preferences as mate choice criteria:

From 1871 until the turn of the 20th century, Darwinian aesthetics was an active area of theorizing.  Darwin (1871) himself viewed the human visual arts as an outgrowth of an instinct for body ornamentation.  He pointed out that males in most cultures indulge in much more self-adornment than females, as predicted by his sexual selection theory. (He understood that men of his own culture ornamented themselves with country estates and colonial treasures rather than tattoos and penis sheaths).  Herbert Spencer argued that sexual selection produced most of the beauty in nature and culture, while Max Nordau posited a neurophysiological link between reproductive urges and artistic creativity, which Sigmund Freud appropriated in this theory of art as sublimated sexuality.   Friedrich Nietzsche developed an especially intriguing and little-appreciated biological aesthetics in The Will to Power, in the section titled ‘The will to power as art’. Nietzsche (1883-1888/1968, p. 421) also accepted a sexual display function for the visual arts, writing “Artists, if they are any good, are (physically as well) strong, full of surplus energy, powerful animals, sensual; without a certain overheating of the sexual system a Raphael is unthinkable.”

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Sex and Error

Just in time for Valentine’s Day, the introduction to my (foster) father’s 1991 Animal Behavior treatise, On the Role of Males (don’t worry guys, we get to expurgate genetic errors):

The value of males to a species has often been regarded as enigmatic. An all-female, parthenogenetic population has significant theoretical advantages over a population that must reproduce sexually. But if sexuality is to be advocated as highly advantageous to the species, the questions surrounding gender differentiation must not be confused with the questions concerning the value of sex. Two distinct genders are not necessary to engage sexual recombination. A broad array of hypotheses for the evolution and persistence of sexuality appears in Michod & Levin (1988), yet for all of the postulated arguments, males are unnecessary. While purpose cannot always be easily ascribed to a specific trait or behavior, the converse can be argued with confidence. The widespread, common existence of a specific trait, behavior or caste insures that the persistence of the attribute possesses some fundamental purpose.

Protracted demonstrations of competitive vigor are common in males, especially so in polygynous species. Darwin (1874) outlined in detail the virtual ubiquity of male aggressive “pugnacity” in animals, concluding that “It is incredible that all this should be purposeless” (1874, p. 615). The hypotheses to be argued here are threefold: (1) males are an auxiliary, relatively sacrificial sex of enhanced fragility, whose demonstrations of competitive vigor operate to expose, exaggerate, and expurgate significant gene error from the germline, (2) the aggressively competitive behavior of polygynous males is but one component of a hierarchy of genetic information assurance mechanisms that must be inevitably evolved, and (3) gene defect expurgation from the germline greatly accelerates the evolutionary optimization, and thus the competitiveness, of the species.

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